
The working landscape
Establish where the operation sits: fields, yards, buildings and the routes between them. Aerial footage can help explain scale and context when a flight is feasible.

AGRICULTURAL & FARMING VIDEO PRODUCTION
Films for farms, rural businesses and agricultural suppliers. We bring ground-level filming, aerial coverage and a clear commercial story together, with a shoot planned around the work on site.
Agricultural & Farming Video Production
A wide view shows the setting. The closer shots explain what your team, machinery or service actually does. We plan both around the person you need to reach: a customer, landowner, supplier, prospective employee or exhibition visitor.
Start with the operation you want to show and the decision the film should support. We can then shape a site visit, an interview-led story or a coordinated shoot across several locations.
Our Sentry agricultural film project shows that approach in practice. For the wider company story, explore corporate video production. For still images, explore our agricultural and farming photography.

Sentry agricultural film · Explore the project
SENTRY · NORFOLK
Our Sentry commission produced two exhibition films across Norfolk farm locations. Ground cameras and drones brought machinery, people and the wider landscape into the same story.
The featured film is one of those exhibition deliverables. The case study brings together the wider project.
WHAT THE CAMERA NEEDS TO SHOW

Establish where the operation sits: fields, yards, buildings and the routes between them. Aerial footage can help explain scale and context when a flight is feasible.

Show the equipment, the sequence and the task. Give a viewer enough context to understand the process, rather than assembling disconnected machinery shots.

Introduce the team and the decisions behind the work. Interviews can explain a service or practice that pictures alone would leave unclear.
Frames from our Sentry films. These are film stills, not a separate photography commission.
THE PRODUCTION PLAN
Some tasks happen at a particular time, in a particular field, with little room to repeat them. We agree what matters before the crew arrives.
Identify the operation, expected timing, access routes and site contact. Tell us about inductions, biosecurity rules, restricted areas and any contributors who need to be briefed.
Coordinate camera positions with your site contact. Keep machinery routes clear and arrange interviews away from working noise where practical. The operator stays responsible for the work.
Weather, crop conditions and the operational schedule may alter the plan. Agree priority scenes, indoor alternatives and whether a further visit could be needed.
BUILD YOUR BRIEF
An exhibition screen, a website and a sales conversation ask for different edits. Choose a starting point and we’ll help define the scope.
CLEAR SCOPE. CLEAR PRICING.
The number of sites, travel between them, operational windows and final edits shape the quote. Drone filming, additional crew and repeat visits are priced around the agreed plan.
Explore current filming and editing prices, then share your brief for an itemised quote.
Starting rates from our current price list. Travel, additional crew, specialist requirements and agreed extras affect the total. No VAT is currently added to our prices.
BEFORE YOU BOOK
Yes, with a plan agreed with the site contact. We identify priority operations, safe camera positions, access routes and any restricted areas before filming. Where a task cannot be interrupted, the shoot needs to fit its timing.
Yes. They can be planned as one production. Drone coverage depends on the site, permissions, airspace and conditions; it is confirmed during planning rather than assumed for every visit.
Yes. We plan the locations and travel together, with a consistent shot list and visual approach. Tell us which operations are only available at certain times so the schedule reflects the real priorities.
We agree what can move, what can be filmed in different conditions and whether an additional visit may be needed. Rescheduling and any extra production time are discussed as part of the booking.
Yes. Our Sentry project included two exhibition films. We can plan an edit for a stand screen, including readable on-screen information and a version that makes sense when the sound is off.
Yes. Agree the intended audiences, formats and number of edits in the brief. Capturing complete sequences gives the editor more useful material to work with across the agreed versions.
LET’S PLAN YOUR PRODUCTION
Tell us about the location, timing and finished content you need. We’ll help turn the brief into a practical filming and editing plan.
We are based in Suffolk and work across the UK. For nearby productions, explore Suffolk video production and filming in Norfolk.
01787 275488BUILD THE RIGHT PRODUCTION
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