MULTI-CAMERA EDITING / THE CAMERA GUYS
Several cameras can capture the moment. A considered edit brings it together. Send us your recordings and we’ll shape the angles, sound and pace into a film that feels whole.
YOUR FOOTAGE OR OURS / EDITED IN SUFFOLK, WORKING UK-WIDE
THREE FILES ARE NOT YET A FILM
Music, conversation and a live stage all ask for a different approach. The work starts with what your footage actually contains, then with what the audience needs to see and hear.
We review the camera and audio files, check what was captured and line up the usable sources. That gives the edit a reliable starting point before the creative decisions begin.
Mixed cameras and separate sound are fine to discuss. We assess the files before promising a particular fix.
A close reaction can make a conversation feel personal. A wide view can hold a performance together. We cut between angles for clarity, continuity and pace, without losing what happened.
A full recording and a short highlight need different editorial rhythms.
We balance colour and sound, add any agreed titles or captions, and prepare files for the places they will be watched. You review the edit against the brief before delivery.
Final versions and review stages are agreed in the estimate.
FILMED AND EDITED BY US
These projects show how our team edited footage we filmed. We can also review recordings made by your own team or another crew.
01 / THE PERFORMANCE
For RIDI’s performance of “Creep”, one videographer worked with a locked wide, a locked medium and a roaming handheld camera. The edit moves between simultaneous views while keeping the performance continuous.
EXPLORE THE RIDI PROJECT ↗02 / THE CONFERENCE
For My Home Life’s London conference, the broader project included a complete edited multi-camera recording and shorter films. Multiple angles helped the team show speakers and audience as the event unfolded.
The published London event film shown here runs for 2 minutes 25 seconds; it is a shorter view of the event, not the full conference recording.
LONDON EVENT FILM / 2:25WHEN THE MESSAGE NEEDS ROOM
For a Davies White workshop at Beth Chatto Gardens, the project included fully edited multi-camera speaker content, alongside a separate promotional film, teaser and interviews. The moving preview here is from the project overview; the speaker edits were separate deliverables.
EXPLORE THE WORKSHOP PROJECT ↗FOOTAGE FROM YOUR TEAM OR OURS
We can work with footage from another production team. A few details up front help us decide what is possible and give you a useful estimate.
PLANNING A SELF-FILMED SHOOT? ↗Approximate hours, file types and any timecode or guide audio.
A complete programme, a highlight, speaker extracts or several versions.
Deadline, usage, existing graphics and any known gaps in the recordings.
A CLEAR STARTING POINT
The number of cameras is only part of the job. Footage hours, sound condition, graphics and finished versions all affect the time needed. We review the material and agree an estimate before starting.
OUR PRICING AND TERMS ↗£49 / hour
No VAT is currently added to our prices.
LET’S SEE WHAT YOU HAVE
Tell us what you recorded, the film you need and when you need it. A sample or viewing link helps us see the shape of the edit.
We’ll arrange a suitable way to receive the original camera and audio files once we have scoped the work.
Still planning the shoot? See our multi-camera filming service. If your project needs a live audience online, explore live streaming.
PRACTICAL QUESTIONS
Yes. We can review footage recorded by your team or another production company. Send a sample and tell us how many cameras, audio recorders and hours of material you have. We will assess the files and agree the deliverables before work begins.
Separate recordings can often be lined up using sound, visible cues or timecode. The result depends on what each file contains. We check the sources first and explain any limitations before quoting the edit.
Yes. We can scope a complete performance, talk or conference recording alongside a separate highlights film or shorter excerpts. Those are distinct edits, so tell us which versions you need.
We can balance usable recordings and colour-match shots so the programme feels consistent. Severely distorted, missing or damaged source material may limit what can be recovered; we will flag this when we inspect the files.
Tell us the amount of footage and the file formats first. We will agree a suitable transfer method for the originals. A small sample or viewing link is helpful when you first enquire.
We estimate the edit after reviewing the footage length, number of cameras, sound and finished versions. The hourly rate and current tax treatment are shown in the pricing section above. Your estimate will confirm the included review rounds; a change in direction or extra outputs may add editing time.
Yes. We also plan and record multi-camera productions. If the shoot is still ahead, tell us about the venue, contributors and intended edit so the camera and audio plan supports the final film.
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