Operator & agreed kit
Tell us what needs to match: camera system, lenses, resolution, frame rate, colour profile and sound. We confirm the actual package for the booking so your editor knows what to expect.

CAMERA OPERATORS · AGENCY & PRODUCTION SUPPORT
A capable camera operator for your brief, your client and your edit. Book filming support for interviews, events and location shoots, with the crew, equipment and handover agreed before the day.
Camera Operator & Crew Hire
When you already have a producer, creative direction or an editor, you need filming that fits the plan. We work with agencies, production companies and in-house teams to capture useful, well-organised material without adding another layer to the project.
Share the shot list, schedule and delivery specification. We can discuss an operator with an agreed camera, lighting and audio package, additional camera positions or a wider crew where the production needs it.
AGENCY-COMMISSIONED CORPORATE FILM
FROM OUR PRODUCTION ARCHIVE
Commissioned via AMWORLD / Mitchell & Stones, our London shoot combined a two-camera interview, three-point lighting and gimbal B-roll. One videographer completed the shoot in four hours.
Agency collaboration: this commission brought together location filming and a finished corporate testimonial, working within the AMWORLD / Mitchell & Stones brief.
CHOOSE THE RIGHT PRODUCTION APPROACH
Tell us what needs to match: camera system, lenses, resolution, frame rate, colour profile and sound. We confirm the actual package for the booking so your editor knows what to expect.
Your producer or director can lead the creative brief. We agree the client-facing role, on-set contact, confidentiality and any white-label arrangements before filming.
Agree original files, audio, folder structure, transfer method and deadline at the outset. Raw-footage transfer is a separate quoted item under our current pricing; the booking should make the deliverables explicit.
THE PEOPLE & THE HANDOVER
A seated interview may suit one videographer and two or three camera angles. Simultaneous rooms, a moving event or a demanding audio setup can need additional people. We scope the crew around what must be captured continuously, then confirm the roles and costs.
SCOPE FIRST. CLEAR PRICING.
Operator hours, agreed equipment, travel, additional crew and footage delivery all affect the quote. Editing can be added when you need a finished film as well as the original material.
See our current filming and editing rates, then send the brief for a production-specific quote.
DISCUSS YOUR PROJECT →BEFORE WE START
Yes, we can discuss a white-label arrangement before the booking. Agree how the crew will be introduced, who communicates with the client, confidentiality and whether any project material may be used publicly.
Yes. A shoot-only brief needs an agreed footage handover, including file specifications, transfer method and delivery timing. Raw transfer and any preparation are included explicitly in the quote.
We confirm the equipment package for each brief. Share any required camera system, lenses, audio setup or existing footage that needs matching. Specialist equipment and additional crew are assessed separately.
Where the scene is controlled, up to three cameras can work with one videographer. Fixed cameras cannot replace active operators when subjects move, rooms overlap or coverage needs continuous adjustments.
We are Suffolk based and work across the UK. Travel, access and any accommodation are agreed around the location and schedule.
LET’S PLAN SOMETHING USEFUL
Tell us what you need to create, where it will be filmed and when it needs to be ready. We’ll help turn the brief into a practical production plan.
Suffolk based, working across the UK. Explore our filming locations and coverage or contact the team directly.
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